b. 1985, Toronto
Lives and works in Los Angeles, CA
MFA, University of California, Los Angeles
BFA, Concordia University, Montreal
Solo and two-person exhibitions
Red Ecstatic, Kristina Kite Gallery, Los Angeles, CA
The Inconstant World, Institute of Contemporary Art, Los Angeles, CA
Fortune Baby God's Eyes, Feuilleton, Los Angeles, CA
Signal at the Wheel, Hover at the Gate, Bel Ami, Los Angeles, CA
undressing a clam, curated by Ana Iwataki, Visitor Welcome Center, Los Angeles, CA
The Lovers, Roberta Pelan, Toronto, Canada
Selected Group Exhibitions
radiant yellow mother, u's, Calgary, Canada
Last Call, The Gallery at Michael's, Los Angeles, CA
Lark, Macfarlane, Los Angeles, CA
Drawings, Franz Kaka, Toronto, Canada
Body, L’INCONNUE, Montreal, Canada
Annals of the Society for the Destruction of Unwritten Literature, Los Angeles Contemporary Archive, Los Angeles, CA
u at Utopian Visions, curated by Ana Iwataki and Marion Vasseur Raluy, Portland, OR
Cupping the Counter, curated by Keith J. Varadi, Motel Gallery, Brooklyn, NY
Four Pillars, L’INCONNUE, Montreal, Canada
Chance, on the edge of a line, curated by Audrey Moyer, The Sunroom, Richmond, VA
Trapdoor (with Michael Kennedy Costa), 67 Steps, Los Angeles, CA
Hybrid Objects, L’INCONNUE, Montreal, Canada
That Feeling, Eduardo Secci Contemporary, Florence, IT
RBC Painting Competition, The Power Plant, Toronto, Canada
Land's End, curated by Haynes Riley, Fringe Projects, Miami, FL
The fraud that goes under the name of love, curated by cheyanne turions and Amy Kazymerchyk, Audain Gallery at Simon Fraser University, Vancouver, Canada
Of Fauna and Flora, Tomorrow Gallery, New York NY
RBC Painting Competition, Contemporary Art Gallery, Vancouver, Canada
Flat Sun on a Disc of Water, Narwhal Contemporary, Toronto, Canada
The Great Outdoors, curated by Aryen Hoekstra, Garden Avenue, Toronto, Canada
Middle Ground, Jr. Projects, Toronto, Canada
Comforter, Shanaynay, Paris, FR
Holyoak, Vanessa. “The Inconstant World at ICA LA,” Contemporary Art Review Los Angeles (CARLA), April 15, 2021.
“Hanna Hur at Feuilleton,” Contemporary Art Writing Daily.
“With Age: Hanna Hur,” interview with Building Block, April 16, 2020.
Rawles, Erica. “Hanna Hur,” Artforum, October 2019.
Edmunson, Tess. “Signal at the Wheel, Hover at the Gate,” Canadian Art Magazine.
Koke, Zoe, “Hanna Hur’s Signal at the Wheel, Hover at the Gate”, The Editorial Magazine, September 26, 2019.
Mizota, Sharon. “Review: Art as a portal to Korean ancestors? The mesmerizing work of Hanna Hur,” Los Angeles Times, July 1, 2019.
Osberg, Annabel. “Hanna Hur, Artillery, July 10, 2019.
Campbell, James D. “Body,” Border Crossings Magazine, May 2019.
Nagree, Zeenat. “Critics’ Picks: Four Pillars,” Artforum, February 2018.
Agostini, Nathalie. “Four Pillars,” Anniversary Magazine.
Whittick, Olivia. “Four Pillars at L’Inconnue,” The Editorial Magazine, March 17, 2018.
Campbell, James D. “Four Pillars,” Whitehot Magazine, February 2018.