Solo and two-person exhibitions

• 2024

  Hanna Hur: 8, curated by Christopher Lew and Hyejung Jang, Doosan Art Center, Seoul, South Korea (forthcoming)
  lost Thing, Dracula's Revenge, New York, NY

• 2023

  Two Angels, Kristina Kite Gallery, Los Angeles, CA

• 2022

  Independent Art Fair, New York, presented by Kristina Kite Gallery, Los Angeles, CA

• 2021

  Red Ecstatic, Kristina Kite Gallery, Los Angeles, CA
  The Inconstant World, Institute of Contemporary Art, Los Angeles, CA

• 2020

  Fortune Baby God's Eyes, Feuilleton, Los Angeles, CA

• 2019

  Signal at the Wheel, Hover at the Gate, Bel Ami, Los Angeles, CA

• 2017

  undressing a clam, curated by Ana Iwataki, Visitor Welcome Center, Los Angeles, CA

• 2016

  The Lovers, Roberta Pelan, Toronto, Canada

Selected Group Exhibitions

• 2024

  Phantom Itineraries, curated by Ana Iwataki and Marion Vasseur Raluy, Capc Musée d’art contemporain de Bordeaux, France
  Lavinia, Hannah Hoffman, Los Angeles, CA

• 2023

  Portals, STARS, Los Angeles, CA
  Something To Do With Pleasure, 12.26, Dallas, TX
  John Riepenhoff: Barely Visible, Good Weather, Little Rock, AR
  Drawing Room, Room 3557, Los Angeles, CA

• 2022

  Shadow Tracer: Works on Paper, Aspen Art Museum, Aspen, CO
  The Practice of Everyday Life, Derosia, New York, NY
  Drawing Down the Moon, organized by Allegra Pesenti, Hammer Museum, Los Angeles, CA

• 2020

  radiant yellow mother, u's, Calgary, Canada

• 2019

  Last Call, The Gallery at Michael's, Los Angeles, CA
  Lark, Macfarlane, Los Angeles, CA
  Drawings, Franz Kaka, Toronto, Canada

• 2018

  Body, L’INCONNUE, Montreal, Canada
  Annals of the Society for the Destruction of Unwritten Literature, Los Angeles Contemporary Archive, Los Angeles, CA
  u at Utopian Visions, curated by Ana Iwataki and Marion Vasseur Raluy, Portland, OR
  Cupping the Counter, curated by Keith J. Varadi, Motel Gallery, Brooklyn, NY
  Four Pillars, L’INCONNUE, Montreal, Canada

• 2017

  Chance, on the edge of a line, curated by Audrey Moyer, The Sunroom, Richmond, VA
  Trapdoor (with Michael Kennedy Costa), 67 Steps, Los Angeles, CA

• 2016

  Hybrid Objects, L’INCONNUE, Montreal, Canada
  That Feeling, Eduardo Secci Contemporary, Florence, IT
  RBC Painting Competition, The Power Plant, Toronto, Canada
  Land's End, curated by Haynes Riley, Fringe Projects, Miami, FL
  The fraud that goes under the name of love, curated by cheyanne turions and Amy Kazymerchyk, Audain Gallery at Simon Fraser University, Vancouver, Canada
  Of Fauna and Flora, Tomorrow Gallery, New York NY

• 2015

  RBC Painting Competition, Contemporary Art Gallery, Vancouver, Canada
  Flat Sun on a Disc of Water, Narwhal Contemporary, Toronto, Canada
  The Great Outdoors, curated by Aryen Hoekstra, Garden Avenue, Toronto, Canada
  Middle Ground, Jr. Projects, Toronto, Canada
  Comforter, Shanaynay, Paris, FR

Selected Bibliography

• 2024

  Cameron, Red, “Hanna Hur, Two Angels,” Conversation Pit, January 29, 2024.
  Hadland, Gracie, “Hanna Hur,” Artillery, January 2, 2024.

• 2023

  Hudson, Suzanne. “Hanna Hur: Two Angels,” The Brooklyn Rail, December 2023.
  Moya Ford, Lauren. “Review: Something To Do With Pleasure at 12.26, Dallas,” Glasstire, December 2023.
  “Hanna Hur at Kristina Kite Gallery,” Contemporary Art Writing Daily, November 2023

• 2022

  Li, Jennifer S. “Hanna Hur: Symbols, mirages, and the wondrousness of creative energy,” Art Asia Pacific, July/August, 2022.
  “My Way of Being: Hanna Hur in conversation with Christopher Lew,” Independent, April 2022.
  32 Drawings, Published by Kristina Kite Gallery, Los Angeles, 2022

• 2021

  Holyoak, Vanessa. “The Inconstant World at ICA LA,” Contemporary Art Review Los Angeles (CARLA), April 15, 2021.

• 2020

  “Hanna Hur at Feuilleton,” Contemporary Art Writing Daily.
  “With Age: Hanna Hur,” interview with Building Block, April 16, 2020.

• 2019

  Rawles, Erica. “Hanna Hur,” Artforum, October 2019.
  Edmunson, Tess. “Signal at the Wheel, Hover at the Gate,” Canadian Art Magazine.
  Koke, Zoe, “Hanna Hur’s Signal at the Wheel, Hover at the Gate”, The Editorial Magazine, September 26, 2019.
  Mizota, Sharon. “Review: Art as a portal to Korean ancestors? The mesmerizing work of Hanna Hur,” Los Angeles Times, July 1, 2019.
  Osberg, Annabel. “Hanna Hur, Artillery, July 10, 2019.
  Campbell, James D. “Body,” Border Crossings Magazine, May 2019.

• 2018

  Nagree, Zeenat. “Critics’ Picks: Four Pillars,” Artforum, February 2018.
  Agostini, Nathalie. “Four Pillars,” Anniversary Magazine.
  Whittick, Olivia. “Four Pillars at L’Inconnue,” The Editorial Magazine, March 17, 2018.
  Campbell, James D. “Four Pillars,” Whitehot Magazine, February 2018.

Awards, Grants, and Residencies

• 2022

  The 8th House Residency, Vermont

Public Collections

Grunwald Center Collection, Hammer Museum, Los Angeles, CA
Hammer Museum, Los Angeles, CA
Museum of Contemporary Art, Los Angeles, CA